Doubrawa's artistic practice is cross-media and cross-genre.
This includes drawing, painting, photography, objects, graffiti, installation, performance and in-situ projects. He deals with questions about the creation of meaning in connection with everyday signs and codes. His interests predominantly lie in the area between language and image.
Photography is a ubiquitous procedure, although we cannot escape the suspicion that Doubrawa is primarily interested in the cropped details, so perhaps it is a technique of release. The concept artist takes photographs, but he is not a photographer. It is not images that are wanted, but signs. Cutting out from the whole is a means of visualisation. (excerpt from a text by Dr. Reinhard Ermen)